Enver Morina

Founder & Chief Executive Officer

Enver founded Dekoriti in 1989 in the Ulpiana neighbourhood of Prishtina, starting with a single woodworking machine and a conviction that craftsmanship was a profession worth building a life around. In the early years he travelled to Slovenia and Croatia to acquire technical know-how, raw material supply and specialist hardware that were unavailable at home. He led the company through its first commercial commission in 1992, the interior of the first Kosovo Parliament in 1999, and the move from a garage workshop to a purpose-built factory in 2008.

Riad Durguti

Chief Operating Officer

Riad is responsible for how work moves through the business: production planning and capacity, the flow from approved drawings into machining and assembly, quality control, and the delivery programmes that international clients hold us to. He balances several projects running through the same factory at once, sets the sequencing and batch sizes that keep them from colliding, and owns the checkpoints every piece has to clear before it leaves: factory pre-assembly, inspection, export packing. His remit covers the point at which a design stops being a drawing and becomes a schedule, a crate and an installation date.

Orges Morina

Managing Director

Orges leads Dekoriti’s commercial side alongside the day-to-day running of the company. Sales sits with him: he is the first point of contact for most new enquiries, and he carries a project from that first conversation through quotation and tender to signed contract. He works with developers, architects, contractors and procurement teams across European markets, and much of the company’s work now comes from clients who have been through that process once and come back. His job is to make sure the commitments made at that table are ones the factory can keep.

Lion Morina

Head of Design & Architecture

Lion leads Dekoriti’s design and architecture work. An award-winning architect whose interiors have been recognised at European level, he translates a client’s concept into something that can actually be built, and frequently designs it outright. His studio carries a project from the first sketch through construction detailing to the production drawings the workshop builds from, which is how the design intent survives the journey to the factory floor. He works the same way alongside architects and designers who arrive with schemes of their own, protecting what they drew while making it manufacturable.

The wider organisation

Nobody here delivers a hotel on their own.

Behind the four people above are the teams that turn an approved drawing into an installed interior. These are the disciplines Dekoriti keeps inside the business rather than subcontracting, which is the only reason a single point of responsibility is possible at all.

Design & architecture

The studio behind Lion’s work: interior architecture, concept development, and the detailing that decides whether a design can be built at the price it was drawn at.

Technical development

Drawing review, construction details, production drawings, CNC programming, prototypes and finish samples. The questions get answered here, before a machine starts.

The production floor

Machinists, solid wood specialists, veneer and panel workers, and the finishers who decide how a piece finally reads once it is in the room.

Quality control

Trial assembly, dimensional checks, joint alignment and hardware operation, and a documented inspection before anything is crated for transport.

Project management & logistics

Sequencing, batch planning, export packing and the coordination that puts a lorry on a live site on the day the programme says it will.

Installation crews

Our own teams on site across Europe and beyond, working to local site conditions. Not a subcontractor meeting your project for the first time on the morning it starts.

And behind all of it, the Dekoriti Training Center, where the next generation of makers is trained next door to the factory that will employ them.

Continuity

Since 1989. One workshop, two generations.

The people who quote your project are the people who manufacture it and the people who stand in your building when it is installed. That is unusual in this industry, and it is the single biggest reason clients come back.

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